This essay reflects on the aesthetic and rhetorical strategies used by Schiller to dramatise and represent Violence. In doing so, it becomes clear that the mechanisms used by Schiller to dramatise scenes of violence and horror serve the overall aim of visualising history. With specific reference to his representations of violence in the Revolt of the Netherlands and the massacre in Magdeburg in … Working from the aesthetic thought of Kant and Schiller, “Race under Representation” elaborates how metonymy and metaphor function in the formation of the stereotype.

This article addresses meanings, metaphors and word games of raw, harsh and crude discourses. We investigate the violence in Louis-Ferdinand Céline’s novels, examining the hypothesis that the violent writing stems from a confluence of serious rhetoric and a kind of delirium. Our work describes and interprets the aesthetic forms of violence from a literary point of view. This article discusses the function of linguistic violence in online political communication in China, by using the specific example of 鸡的屁 (pronounced “ji de pi”), an ironic metaphor for gross domestic product. By using systemic functional linguistics as its methodology, the article demonstrates that the term is linguistically violent, and reveals that such a term is used to represent gross …

However, situations of precarious employment in universities can not only be stressful, but also outright intolerable. In this chapter, I draw on contemplative science to explore … Domestic product but also means “the fart of a chicken.” It is used in online discussions to show disagreement with and disdain toward the government’s gross domestic product-centric policies. The article argues the best shitcoin to buy use of 鸡的屁, demonstrates Chinese Internet users’ creativities in online discourses, and their use of language to resist government policies that fail to serve their interests. It is not only a way to express oppositional opinions but also the public’s strong emotion of anger. Deconstruction produces concepts which, acting in the text, provoke in it transformations, destructions and dislocations.

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The melodramatic mode and a flexible approach to representations of disease transmission produced Africa as a place productive of illness and immorality in equal measure. Ultimately, she demonstrates how Britain’s encounters with tropical disease—fictional and nonfictional—were used to map not only the epidemiological but also the sociocultural topographies of empire. This essay explores the tropes and metaphors that make up the nineteenth-century literary and scientific aesthetics of gastrointestinal health, paying attention to the ways in which these frameworks blurred the boundaries between analogy and lived experience. This was a time apparently beset by the emotional violence of improper digestion, speaking to the recent term “hangry” to mean “being angry as a result of being hungry”, which too forwards a physiologically embodied understanding of anger.

If you have questions, need help, or want to modify, resend, or cancel a gift, please see our Support Center, where you can access an array of self-service tools and our FAQ. If you have questions, need help, or want to modify, resend, or cancel a gift, please see our Support Center, where you can access an array of self-service tools and more FAQ. I saved the best for last as I would be remiss if I did not mention how delicious the home made carrot cake was. It was so good that it actually elevated the whole meal to another level. But once you start to add items and mix and match you will climb a culinary ladder of flavors that will leave you coming back for more, over and over again. Simultaneous speaking of emotionality and rationality, Nash’s account of rhetoric as emotion is drawn upon.