I am being chosen because of my past and current music experiences, and due to the factor I possess and the history inscribed upon it. Living right now in Athens, Greece, and having carried out fieldwork within the former Yugoslavia and Ireland as well, I really pet friendly hotels salina ks feel for the primary time that it is not me who decides when or the place to go to the sector. And not just due to the coronavirus and the lockdown that forestalls us from carrying out “conventional” ethnographic fieldwork “somewhere else”.
This chapter identifies and examines a phenomenon we propose to call musicalization. It discusses how processes of musicalization relate to and work together with processes of mediatization. Musicalization is defined as an ever-increasing presence of music in culture and on a daily basis life. As such, it contains each a discursive and a dramaturgical dimension.
The late 2010s have seen the unprecedented rise of Russian rap culture on YouTube. This examine delves into the unexplored area of the connection between rap music, politics, and the Internet viewers in Russia. It focuses on the analysis of the manufacturing of the most well-liked rap videos—their narratives, energy relations, and socio-political themes, as properly as the prevailing patterns in the discussion on socio-political points by the YouTube viewers. The research brings three contributions that identify the power relations within the Russian society that manifest in the area of rap music. First, the Russian-speaking users demonstrate a high degree of criticality towards the pro-Kremlin rap music on YouTube and problem the lies of propaganda rap.
The subject can scent out my analysis pursuits and, like a odor that penetrates easily in all places, it breaks into my home. I cannot shut the entrance door; the field, as if it had been an awesome smell, saturates my life and imposes itself on me, turning into an intrinsic a half of my everyday life, nuancing every facet of my music world. Being a performer, the coronavirus restrictions imposed on music rehearsals supplied me with a first-hand sensible expertise of the anxieties and uncertainties that musicians face. Soon my identities as ethnomusicologist and researcher had been triggered and activated as well. I started making use of music auto-ethnography at home—reflexive, sentient, emotional, evocative and experiential.
It is now not research “out there”, somewhere far-off, where I have to journey to achieve out. It is the sector main my research, showing me where to search, whom to contact, what to do. Cannot access the page because of the inconsistency between your system time and real time of your area. Please appropriate the system time setting and reload the page. After the verification, the information of your channel will be updated daily.
I couldn’t shut my door to Covid-19 and the consequences it brought to my music-making ventures. It was the field, suddenly and unexpectedly entering my everyday life, my house, nuancing every aspect of my music world. Under such circumstance, I was unable to draw a line between personal life and fieldwork, between home and the field. Ethnomusicology at home, is inextricably bounded to my identification as researcher, performer, concerned citizen and a mother or father of a kid involved in music actions.
Second, pro-government rappers follow the Soviet authoritarian ethos and reward belonging to the collective of elites, whereas liberal ones adhere to the individual responsibility. Third, we reveal the prevalence of patriarchal gender values, together with macho politics and unquestioned sexism, which are consultant of gender politics within the nation. This article proves the significance of socio-political commentary on YouTube and points to the rap movies as the popular hubs for the socio-political debates. Users flow to rap movies and utilize the remark section to have their say on the political context and energy relations rather than the music, to interact with others, and to contribute to the emerging collective debate.
This semester, I train world music cultures, specializing in the Middle East. I even have to remember to discuss the variations and similarities between indoor music-making actions in Greece during the lockdown and those in Iran within the Eighties. Sometimes it is tough to remember issues in this experiment of dwelling ethnography (Feder-Nadoff 2020).
Previous research on the discursive nature and perception of rap videos (Balandina, 2017;Patton, Eschmann, & Butler, 2013;Salganik & Watts, 2009) demonstrated that the method of discourse evaluation of comments is growing in recognition among social scientists who are involved within the political position of music. This research strengthens this strategy by adding textual analysis of the movies and lyrics as a secondary technique. In the winter semester, I spoke with my students concerning the results of the pandemic on music-making and the performing arts sector.